Courtesy BARCLAY Performing Arts
Courtesy BARCLAY Performing Arts
Three actors portray Alison Bechdel at different stages of her life in BARCLAY Performing Arts production of the Tony-winning “Fun Home,” opening Sunday in Boca Raton. From left: Christine Barclay as the adult Alison, Jenna-Brooke Bellinato, as Alison in college, and Harper Mae Bloom as young Alison
‘Fun Home’ musical in Boca examines lesbian coming of age.
Courtesy BARCLAY Performing Arts
“Fun Home,” winner of five 2015 Tonys, including Best Musical is an adaption of Alison Bechdel’s 2006 graphic memoir of the same name. The story centers on Bechdel’s discovery of her own sexuality, her relationship with her gay father, and her attempts to unlock the mysteries surrounding his life. It is the first Broadway musical with a lesbian protagonist.
The story is told through vignettes narrated by the adult Alison character, played by Barclay founder Christine Barclay of Delray Beach.
Jenna-Brooke Bellinato, also of Delray Beach, plays Alison as a freshman in college, and Harper Mae Bloom, of Boca Raton, plays Alison as a young girl.
After the mass shooting at Marjory Stoneman Douglas High School in Parkland, Fla., some of the students participated in the musical Spring Awakening. Christine Barclay directed it.
CHRISTINE BARCLAY: It’s about a cry from children for a voice. It’s a cry to be understood. It’s a cry to say that we’re human, too, even though we’re teenagers.
Dave Cullen captured inside details of how a group of teens grew into leading activists of the #NeverAgain movement. Read an exclusive first excerpt of his book Parkland out February 12
Scott McIntyre for The New York Times
It got worse when Cam was under attack. “It kind of got to a point where I kept yelling at everybody online who would harass them,” Barclay said. “I mean, these are kids. Yeah, maybe they’re saying something too aggressively or they’re being a little brazen or being emotional. But these are seventeen-year-old kids. They’re not supposed to know how to handle this. They’re already having enough trouble navigating who they’re taking to prom and what to do with their acne; how are they supposed to know how to handle a media onslaught and people throwing mud at them? It’s like Lord of the Flies.”
Opening night for Spring Awakening was May 2. As showtime hurtled toward them, everyone was feeling the heat. “And the other kids were kind of sitting on pins and needles, because they had been holding down the fort,” Barclay said. “It was like, ‘Dudes, please pull this off, because we’ve been here.’”
Rocco Cirillo, left, plays a Holocaust educator, and Fern Katz a Holocaust survivor in the play. (Courtesy)
It was a nervous habit. Tyler Ellman anxiously tapped and shuffled his feet as he walked through the Auschwitz concentration camp, spurring questioning looks from his fellow teen pilgrims.
Ellman was on a trip called the March of the Living, where Jewish teens visit the death camps the Nazis built in Poland during World War II and then proceed to Israel for a refreshing view of Jewish survival and success. The trip came right after Ellman, a senior at West Boca Raton High School at the time, had started tap dance lessons.
Cameron Kasky, 17, a student at Marjory Stoneman Douglas High School, rehearsing “Spring Awakening” while members of the original Broadway cast watched. Scott McIntyre for The New York Times
BOCA RATON, Fla. — On a Tuesday evening in a small theater in the back of a shopping center here, the teenage cast of the rock musical “Spring Awakening” pogoed around the stage, shouting the unprintable lyrics from one of its most ferocious songs.
Ever since the show opened on Broadway in 2006, collecting eight Tony Awards, it has attracted a fervid teenage following, and is steadily performed in high schools and colleges. But most young casts haven’t survived a catastrophe that dovetails eerily with the show’s plot. They haven’t galvanized a movement that has made each rehearsal a potential target.
In the aftermath of the Parkland shooting, the teenage cast of Spring Awakening prepares to take the stage. Photograph by Zak Krevitt
In a cramped, soundproof rehearsal studio tucked behind a Dunkin’ Donuts in a shopping center in West Boca Raton, Florida, Christine Barclay paces amid quietly seated teenagers. The room is too small for them to sit in a circle, so her audience of ten is scattered across the floor. Christine is trying not to get ahead of herself: the production of Spring Awakening that she’s directing, starring high-school kids from the area, opens in seven weeks, and already they’ve lost too much time.
The cast in rehearsal for “Spring Awakening” at the Boca Black Box theatre.
The Stoneman Douglas school shooting and the #NeverAgain movement made a stark, stirring backdrop for a high school production of the coming-of-age musical.
Students at Marjory Stoneman Douglas High School have been through the unspeakable. But in the wake of the mass shooting at their school in February, many have found new platforms for their voices. And some took a break from the world stage to the stage of the Boca Black Box theatre, where they performed Spring Awakening last week (May 2-9) with the local training and production company Barclay Performing Arts.
On May 2 and May 6, six student survivors of the Stoneman Douglas massacre will appear at Boca Black Box Center for the Arts in a production of “Spring Awakening,” the hit Broadway musical that has eerie parallels to the Feb. 14 shooting.
It may be the hottest show in South Florida.
A troupe of young adults and students, including six survivors of the Marjory Stoneman Douglas High School massacre, are appearing in a production of the rock musical “Spring Awakening.” Set to be performed May 2, May 6-7 and May 9, the show already has drawn major attention, shifting some of the media spotlight from the trauma at the school to the relative refuge of a quiet shopping center about 10 miles away in Boca Raton.
EXCLUSIVE: “A part of me, like, wants to go back to being a normal teenager again, but I just feel like how can you go back when all of this is happening?” wonders 16 year-old Sawyer Garrity who is one of the students featured on the short documentary Awakening: After Parkland. The play, and the doc, follows young actors — which includes students from Marjory Stoneman Douglas High School — as they stage a play through Barclay’s Performing Arts to try to bring a semblance of normalcy back to their lives and the surrounding community. The 20-minute short was directed by Cristina Costantini and Darren Foster whose Science Fair won the Audience Award at Sundance.
In the midst of mourning friends and sparking an urgent national movement to change gun laws in their memory, a question hung over a group of students who survived the February mass shooting that killed 17 people at Marjory Stoneman Douglas High School in Parkland, Florida.
Would the show go on? Could it?
The film features the students of Marjory Stoneman Douglas High School as they continue their community production of Spring Awakening in the wake of tragedy.
Theatre and activism collide in the new documentary short Awakening: After Parkland, out July 2.
It came as no surprise to lovers of theatre that the articulate and compassionate student activists in Parkland, Florida, were also theatre kids. It just so happened local teens—including six students from Marjory Stoneman Douglas High School—were rehearsing for a community production of Duncan Sheik and Steven Sater’s Tony-winning musical Spring Awakening before a mass shooting took the lives of 17 people at the school February 14.